Directed by Dean Murphy
synopsis The Very Excellent Mr. Dundee is a movie starring Jacob Elordi, Mel Gibson, and Chevy Chase. Paul Hogan is reluctantly thrust back into the spotlight as he desperately attempts to restore his sullied reputation on the eve of being
1 Hours, 28Minute
Liked it 437 Votes
5,1 of 10
Genres Comedy

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The very excellent mr. dundee. You might like it, if you're comatose, like most actors and humour in this flick. 16 Jul REVIEW – ‘The Very Excellent Mr. Dundee’ is a film you’ll likely forget the instant the end credits roll Posted at 12:50h in Reviews 0 Comments Back in 1986, Australia’s tradie-turned-comedian Paul Hogan took America by storm with Crocodile Dundee, one of the most successful independent films of all time. On a shoestring budget of $8 million, the film took a staggering $328 million worldwide (which equates to roughly $893 million in 2020), making it the highest-grossing Australian film ever made. Hogan won a Golden Globe for Best Actor, scored an Oscar nomination for Best Original Screenplay, and even co-hosted the 59th Academy Awards with Chevy Chase and Goldie Hawn. To say the world went Dundee crazy would be an understatement. However, while the 1988 sequel was financially successful, Hogan’s career floundered when films like Almost an Angel, Lightning Jack, and Flipper (remember that? ) flopped at the box office. After the third Dundee film in 2001 was a spectacular disaster even Hoges would like to forget, it seemed the actor had finally said goodbye to the character. In a curious move no one ever really expected (or, let’s face it, asked for), Hogan has decided to satirise his public persona and the character he’s seemingly never been able to escape with the straight-to-streaming title The Very Excellent Mr. Dundee. Originally planned to debut in Australian cinemas back in April, the film instead arrives this week on Amazon Prime, adding to the litany of titles who’ve followed a similar path in light of the COVID-19 pandemic. A harmless Sunday afternoon time killer you’ll likely forget the instant the end credits roll, The Very Excellent Mr. Dundee strives for sharp commentary on fame, the media, and the film industry, but mostly falls flat on its face with a neverending series of unfortunate events that grow continually tiresome as the narrative drags on and some ill-advised comedy that centres on racism in America. Dotted with a cavalcade of bizarre cameos from a host of actors who clearly had nothing better to do (or needed a paycheque), the film is only saved by Hogan’s endearing willingness to make fun of himself and his career. After a terribly self-aggrandising prologue detailing the many achievements of “Hoges, ” The Very Excellent Mr. Dundee finds Hogan still unable to separate himself from the infamous character of Mick “Crocodile” Dundee, which often seems to get the actor into trouble. Such is the case when a group of Los Angeles locals call on Hogan to eradicate a snake from the lawn of a sprawling mansion, leading to a disaster that’s all captured on a hundred different cellphones. Much to the chagrin of his beleaguered manager Angie ( Rachael Carpani), the incident is quickly labelled by the media as a desperate publicity stunt by Hogan to get his name back in the headlines. With the unexpected news Hogan is to be knighted by the Queen in six weeks, Angie is desperate to keep her client out of trouble. But, no matter how hard he tries, Hogan continually falls afoul of the press through a series of mishaps and misunderstandings. A meeting at Uni-Realm Pictures to discuss producing a fourth Crocodile Dundee film with Will Smith (no, he unsurprisingly does not appear in this film) as Dundee’s son goes afoul when Hogan questions the notion of a person of colour playing his offspring. A clash with a Dundee impersonator ( Shane Jacobson) on Hollywood Boulevard is instantly splashed around the world on social media. And an unplanned visit to the red carpet of the Black Talent Awards is an unmitigated disaster. Hogan’s potential redemption arrives in the form of his close friend Olivia Newton-John, who offers the actor the chance to appear with her at a charity gala in support of sick kids. But with a mountain of bad publicity piling up and celebrities seemingly lining up to denounce Hogan at every opportunity, the Queen’s invitation to be knighted appears to be slipping away. As you can likely surmise, there isn’t a whole lot of plot to be found within The Very Excellent Mr. The screenplay by Robert Mond and director Dean Murphy appears to have been cranked out in one afternoon. The film merely plonks Hogan in as many uncomfortable situations as possible, with the illogical knighthood plot point thrown in to tie it all together. As narratives go, it’s about as deep as a puddle. While the occasional astute observation on the entertainment industry pops in, the screenplay lacks the intelligence and wit of something like HBO’s Curb Your Enthusiasm, which this film is so achingly attempting to be. Much like Larry David, Hogan continually finds himself in awkward circumstances generally founded on verbal misunderstandings, but nothing here meets the same hilariously cringe-inducing level as what David cooks up. By filling the cast with celebrities playing exaggerated versions of themselves, Murphy is obviously taking heavy inspiration from David’s masterful series, albeit not quite at the level of stardom as the endless cameos of Curb Your Enthusiasm. John Cleese is a particular highlight, with the actor relegated to moonlighting as a chauffeur after his infamous costly divorce. Chevy Chase turns up to offer Hogan some advice on reclaiming his fame, namely by lying to people you won an Academy Award. Former TV stars Wayne Knight (Newman on Seinfeld) and Reginald VelJohnson (Carl Winslow on Family Matters) also appear as the apparent best friends of Hogan. A series of Australian actors appear via footage filmed at the G’Day L. A. event including Costas Mandylor, Luke Bracey, and the other Hemsworth brother, Luke because Chris and Liam were clearly busy. And John Travolta and Mel Gibson (yep…) also appear via edited archival red carpet footage, which you’d hope they gave their approval for. Despite the film’s Los Angeles setting, it’s painfully obvious production took place in Australia, with a host of L. establishing shots filmed in a vain attempt to convince you otherwise. This is compounded by the unfortunate use of a litany of Australian actors who are forced to adopt cringeworthy American accents including Carpani, Jacobson, and odd cameos from Julia Morris, Roy Billing, and Rohan Browne. The use of Fat Pizza ‘s Paul Fenech as Hogan’s gardener is particularly baffling, with the comedian required to deliver his brief lines with a god-awful Hispanic accent. Many actors have delivered stellar performances when playing a fictional and satirical version of their own persona, but it’s something that Hogan strangely struggles with. It’s a performance devoid of any engaging emotions other than bewilderment and confusion, leaving Hogan to deliver a one-note turn that leaves the barest of impressions. The charming charisma that made him a star occasionally breaks through, but these moments are few and far between in a performance that leaves you yearning for something more. Notwithstanding the sketchy screenplay, the film does include sporadic moments of hilarity, like an entertainment reporter commenting on the return of 90s comedian Paul Shore to the top of the U. S. box office or Hogan watching the Australian tourism commercial featuring Chris Hemsworth and Danny McBride in a fake Crocodile Dundee remake. A lengthy dream sequence centred on a Broadway musical adaptation of Dundee is absurdly ridiculous, but it’s hard not to mildly chuckle at the sight of a showstopping number called “That’s Not a Knife. ” Frankly, given Broadway’s current obsession with movie-musical reimaginings, it’s ultimately not all that far-fetched to consider this a future possibility. It’s clear Hogan is willing to poke some good-hearted fun at both himself and the entertainment industry, and the film is an earnest attempt to capture the magic of other self-referential meta works. But much of the comedy centres on inadvertent racial misreckonings, which, given the current social climate, feels unfortunately timed and wildly tone-deaf. By the time the narrative attempts to inject a forced romance for Hogan with Newton-John’s best friend Ella ( Kerry Armstrong, who is so much better than this), you’ll likely have given up on this film. There will be few who miss the irony of including the words “very excellent” in the title of a film that couldn’t be further from this adjective. It’s a misguided title for an equally misguided film. The Very Excellent Mr. Dundee may play better with an older crowd who remember the heydey of Hogan’s career, but even the most ardent Dundee fan will likely be left questioning the necessity of this derivative and rather pointless film. Distributor: Amazon Prime Cast: Paul Hogan, Chevy Chase, John Cleese, Olivia Newton-John, Reginald VelJohnson, Wayne Knight, Rachael Carpani, Jacob Elordi Director: Dean Murphy Producers: Nigel Odell, Dean Murphy Screenplay: Robert Mond, Dean Murphy Cinematography: Roger Lanser Production Design: Ralph Moser Costume Design: Jeanie Cameron Music: John Foreman Editing: Peter Carrodus, Robert Mond Running Time: 88 minutes Release Date: 17th July 2020 (Australia).

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The very excellent mr dundee review. The very excellent mr. dundee review. Being a long time Paul Hogan fan it was great to see him back in top form. The pokes and jabs at the Hollywood system are fun and playful when watching someone in his 80s roll his eyes at a community that is self obsessed, materialistic and clutching to keep itself alive and relevent. However for all the moments where Hoges shines, it's the woeful co-stars, particularly that of his manager, that make it so cringe worthy. Some terrible acting, terrible green screen work and strange editing make this go from a possible 8 to a so-so six.
Thank you Hoges - this one isnt your fault.

The very excellent mr. dundee cast. The very excellent mr dundee trailer legendado. I n his first significant film role in more than a decade, Paul Hogan hobbles back on to screens in The Very Excellent Mr Dundee, looking and behaving like a bewildered dinosaur from a distant era – his career forged in a time of yore long before the existence of terms such as “cancel culture” or even “the internet”. This is not a ribbing of the legendary comedian on the basis of his age (Hogan is now 80) but rather something the film – directed by the longtime Hogan collaborator Dean Murphy – constantly leans into. In the tradition of the Crocodile Dundee movies, which plucked a rough-as-guts rube out of rural Australia and dropped him into metropolitan America, this meta-ish sort-of sequel constructs a fish-out-of-water premise, the crux of the comedy resting on temporal rather than locational displacement: Hogan is the aquatic craniate and the passing of time the rocky seas on which he has been tossed and flailed, washing up on the beach of a modern, culturally conscientious world. Skipping cinemas due to the pandemic and landing on Prime Video this week, the film (written by Murphy and Robert Mond) is about Hogan attempting to avoid “getting into trouble” (the writers are caught between viewing him with reverence and treating him like a child) after being awarded a knighthood for outstanding services to comedy. Despite being a decent bloke trying to mind his own business, you see, Hoges accidentally puts his foot in it everywhere he goes. In the film’s mildly amusing opening sequence this involves animal and sight gags – with Hogan, weak-kneed at the sight of a snake, accidentally tossing it into the face of a primary school teacher. But then the comedy gets political. The veteran performer agrees to meet with movie producers on a studio lot, who serve him a large green smoothie with mint, goat’s milk and activated walnuts – not realising the true-blue veteran would prefer something more Hogan-like, such as a Fosters and a durrie. The movie executives – one of them bobbing around on an exercise ball, because trendy – beg him to consider green-lighting another Crocodile Dundee sequel. They say they have the perfect star in mind to play his son: Will Smith. Hoges isn’t keen, the joke being that these modish woke people can’t understand why casting Smith might cause plausibility issues. This agonisingly stretched-out sequence culminates with Hogan exclaiming, “He’s black! ” Murphy then cuts to the star walking away while his manager over the phone yells, “You can’t say that! ” So there we have it. In a year of surprises, here’s another to add to the tally: the new Dundee is a social and political commentary, with a core message that the modern world can no longer see the forest of good old-fashioned comedy for the trees of political correctness. It took four films and more than three decades but the Crocodile Dundee series now, finally, has something substantial on its mind. Elements of The Very Excellent Mr Dundee feel like a repudiation of an opinion piece I wrote a couple of years ago, savaging aspects of the original movies – such as their blaringly obvious instances of sexism, racism and transphobia. At one point a news announcer in the new film refers to Hogan as a “disgraced racist, nun basher and former Australian legend”. The most interesting thing about it arises from Murphy and Mond’s awareness that the humour in the original movies wouldn’t fly today. Their determination to still in some way “go there” provides a mild kind of edginess, with sometimes embarrassing results (like that clanger of a Will Smith joke). ‘Paul Hogan’s deflated performance is not without its charms. ’ Photograph: Lachlan Moore/Transmission films Constantly painting Hogan as a victim of the modern world becomes a drag, though the film has notes of pathos that took me by surprise. Murphy makes the point that fame and fortune do not necessarily lead to happiness, a well-flogged but still salient message manifesting in Hogan’s hangdog visage and Eeyore-like demeanour. The passing of time has made the star softer and more pitiable; his deflated performance is not without its charms. There are occasional, reasonably funny moments, including Hogan accosting a terrible Dundee impersonator (Shane Jacobson) who has butchered his “that’s not a knife” gag. The point is made that time turns legends into distortions, increasingly divorced from their origins: a key theme in the great theatre production Mr Burns: A Post-Electric Play, and explored more frivolously in 1993’s Yahoo Serious comedy Reckless Kelly, which also contemplates celebrity culture and Australian legends. The wobbly pace of The Very Excellent Mr Dundee is peppered up by celebrity cameos from the likes of Chevy Chase, Olivia Newton-John and John Cleese. There’s an ongoing joke about how well-loved Chase is, which seems to be an ironic acknowledgement of his less-than-honourable reputation, though the writers’ intention remains unclear and this thread comes across as toothless. The script eventually gorges on the kind of overblown sentimentality that has haunted Murphy’s previous films, including Strange Bedfellows and Charlie & Boots. Some jokes feel like witnessing a slo-mo train crash but the humour at least has awareness: of itself; of the society to which it belongs; of a world that has (whether Hogan et al like it or not) moved on from the crudeness of its antecedents. Compare that to Hogan inspecting a hotel bidet and grabbing the groin area of a trans woman in the original movie and you get a more interesting (certainly less offensive) perspective. You wouldn’t want to overstate the film’s achievements, given that a lot of it comes across as weird, self-pitying flapdoodle. But this is, as they say, progress of a kind. • The Very Excellent Mr Dundee is streaming now on Amazon Prime.

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The very excellent mr. dundee (2020. This movie has a great cast. The movie is funny. If your looking for a movie that will have you laughing your ass off, this is not it. It's funny because of the irony behind it, a star studded cast off actors we don't see much of anymore is what makes it a great movie and story. Edit Storyline Aussie Icon Paul Hogan just wants the quiet life. He lives in Brentwood, California, happy in retirement, content doing the daily crossword and enjoying regular calls from Lucy, his delightful 10-year-old granddaughter in Sydney. So, when his agent drops by to tell him he'll be receiving a knighthood for services to comedy, he is less than impressed by this imposition and much to his agents' chagrin, turns down the offer. Paul attempts to return to his tranquil life but Lucy calls; she has excitedly told kids at her new school that granddad has been offered a Knighthood. They laughed at her. What? Paul realises he needs to get the Knighthood to help her salvage her reputation. After much begging and pleading, his agent reluctantly agrees to call the Palace. The Knighthood is back on. The next six weeks, however, see Hogan's brand totally trashed. Although he is always trying to do the right thing and salvage his quickly diminishing reputation, life is conspiring against him. He's... Written by Official Synopsis Plot Summary | Add Synopsis Taglines: He's back, whether he likes it or not. Did You Know? Connections References Flipper (1996) See more » Details Release Date: 17 July 2020 (Australia) Also Known As: The Very Excellent Mr. Dundee Company Credits Technical Specs See full technical specs ».

The very excellent mr. dundee subtitles. The Very Excellent Mr Dundee ★★½ 88 minutes, Amazon Prime Video There is almost nothing I can say about Paul Hogan's latest movie’s faults that the movie doesn’t already say about itself. There are numerous gags about how bad an actor Hoges is, even when playing himself. These are largely true, except for the charm, which is intact and undaunted. This may allow some viewers to forgive the movie’s many shortcomings. Playing himself, Paul Hogan tries to remain unruffled but is bemused and somewhat confused. Charm has a power all its own and Paul Hogan was born with full buckets. That impish smile, the fact that he never took himself seriously, the self-deprecation of the very excellent character he created for Crocodile Dundee in 1986, the physical grace. Nobody cared that he couldn’t act, all he had to do was deliver some good lines and keep a straight face. There followed worldwide fame and catastrophic success: marriage gone, health gone, investigation by the tax office, exile in LA, another marriage gone and a string of awful movies — a point he concedes several times in the new movie. Loading Yet nothing seemed to dent his confidence that the public does indeed want another Paul Hogan comedy 35 years after the last good one. Here he is at 80, dragging himself off the couch of his Hollywood mansion to play a version of himself. As in so many of his plots, he’s a stranger in a strange land, the la-la land of Los Angeles, a Twilight Zone of media-driven madness. The idea is simple and might have worked. A man who has everything — money, public affection, reputation — loses it all in a series of spectacularly embarrassing public gaffes brought about his failure to understand that the world has changed. He drops a nun with a badly aimed water bottle while trying to help Olivia Newton-John at a charity gig, he upsets black America with comments that make him look like a racist, he ends up in a fight with little kids when he tries to stop a Hollywood Boulevard imitator of himself (played by Shane Jacobson) from ripping off the public. His long-suffering manager, Angie (Rachael Carpani), tries to shut down the scandal, lest it jeopardise a knighthood. A chubby mid-western loser (Nate Torrence) invades his mansion, trying to start a career as a paparazzo. Hoges takes pity on him and extends a hand. 'The laughs, in almost every case, depend on the support cast. ' From the first movie, Hogan and his manager, John Cornell, surrounded his act with experienced and reliable comic support: John Meillon, Reggie VelJohnson, David Gulpilil. Peter Faiman directed the first movie with safe hands, having worked with Hogan on his TV series. Hogan too was on his game: confident, cheeky, handsome and seemingly outside the showbiz mainstream, with all its falsity. Things went downhill after that, perhaps because Hogan became part of that mainstream. The Very Excellent Mr Dundee sees him taking that world apart, with some success. Hollywood is full of fat targets and he lines up quite a few, enlisting an A-list of once-weres to drive over them — literally, in the case of John Cleese playing a rogue limo driver. Some of this is funny, but when the success of the movie depends on satirical take-down rather than the pleasure of well-timed gags, that movie is in trouble. Loading It doesn’t help that Hogan can no longer keep a straight face. He telegraphs every joke, forgetting to play the straight man. He's paired with others who still remember how to do it, such as Cleese, and Chevy Chase, who steals any scene he’s in. A stronger director might have pointed this out to the star, but Dean Murphy has been with Hogan through a number of movies, none of which distinguished themselves by the rigour of their direction. The laughs, in almost every case, depend on the support cast rather than the star. Hogan tries to remain unruffled, but appears bemused and somewhat confused as his world crumbles. That might be what Paul Hogan is really like but he plays himself rather badly here, more self-aware than self-confident. The satire is as laboured as his nonchalance. Most Viewed in Culture Loading.

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